Roman Polanski has had an eventful and long career as a movie director – one of the directors whose very name can ‘open’ a movie and whose tangled sexual history has been fodder for the tabloids. But nobody can deny that Polanski has been one of the most influential directors of the last 50 years. He is acknowledged as an influence by directors as diverse as Coen Brothers, Atom Egoyan, Darren Aronofsky, Abel Ferrara, and Wes Craven. and we trace his influence here of some of his best-known films
Repulsion (1965)
Hugely important psychological thriller that was highly acclaimed and highly popular on release. More than the slasher, the film was important is examining the breakdown of its lead character – crucially a woman. Lots of movies had based themselves of psychologically disturbed men, but the explore a female character like this was new.
Without this film we might never have seen these studies in female breakdown
Images (Robert Altman)
Woman Under The Influence (Cassavetes)
Mulholland Drive (Lynch)
Black Swan (Aronofsky)
Dark Water (Nakata)
Rosemary’s Baby (1968)
Films had dealt with the spawn of the devil, and smart ambitious New York couples but never in the same movie. The first film to do this was Polanski’s 1968 horror. Not only did it win several Oscars, it also cleaned up at the box office. But the films lasting influence is twofold – it made horror movies respectable (because profitable) again for the big studios and made the Devil hot property
No Rosemary’s Baby? Then it’s pretty unlikely we would have seen these films made
The Exorcist (Freidkin 1973)
The Omen (Donner 1976) plus its various sequels and remakes
The Sentinel (Winner 1977)
Burnt Offerings (Curtis 1976)
Devil’s Advocate (Hackford 1997)
Tess (1979)
There had always been costume dramas but unsurprisingly Polanski added the one ingredient they lacked – SEX. With a ravishing Natasha Kinski bravely cast in the lead role – in the title role, suddenly old books were hot.
Without the injection of sexiness – and the box-office that came with it – we might never have seen these period dramas
Chariots of Fire (Hudson 1981)
A Room With A View (Merchant/Ivory 1986) plus lots of other Merchant/Ivory productions
Jude (Winterbottom 1986) – more Thomas Hardy with a sexy cast
The English Patient (Minghella 1996) – period drama and headed by relatively unknown ‘foreign’ actress
This is just 3 of his movies – there is a lot more to be said about this influential Roman.